This was a painting I did during my degree, I really don't like it much any more, it's too cluttered and lacks theme, but you've got to start somewhere and this was my starting point. I've had a long running fascination with domesticity, especially in the 1940's and 50's where it seemed to me women had fewer avenues of expression beyond the home, but conversely there seemed a wealth of innovative creativity that sprung up in advertising, graphic design, fabric, clothing etc to entice and lure women to buy products for the home and their family's. Sam introduced me to the stunning world of diagrammatic design which played a massive role in my paintings throughout my degree.
I don't actually own this painting, I painted it and have it in my home but it belongs to our lovely friends Ian and Lisa who now live up t'north, I'm waiting to see them so I can return it to them. For the time being though I'm taking good care of it, it hangs in our bedroom as the safest place to store these paintings seemed to be the walls. Its a very narcissistic home! Again, I've been poaching images from advertising archives and the spaceman was actually referenced from a set of children's bedlinen.
More 1950's imagery but this time a reference from a recipe book that seemed to come free with the purchase of a certain brand of oven (I've lost the recipe book now which is a massive shame).
Sam says this is one of his favourite's. It has a border of yellow to tie in with the brownies in the main image, like the spaceman painting I was beginning to look at border less imagination, expectation, and aspiring which tends to be eroded as you get older, but is evident by the bucket load in kids. The imaginations of my two nieces still amazes me they can create whole worlds from nothing, I hope they hang onto that for a long, long time.
I think this was my prophecy painting (terrible photo, sorry! A flash with glossy paint = fail) when I was doing my MA I was looking at why people start collections and have collecting as their hobby (not just one or two items, I was interviewing people with enormous collections of seemingly random stuff like eggcups, Russian calculators and banana labels) and the idea of man and allotment sprung out at me when I came across this image of a man smoking a cigarette. I found it in a 1950's (again!) French hunting magazine (I had bought three very full boxes of these hunting magazines at a French car boot sale, the woman thought I was insane and likely charged me a couple extra Euros but lug them home I did and they've proved very useful so no regrets here). Anyway I liked the idea of people who'd owned allotments for years, grown prize roses and vegetables and gained a real sense of escapism from their plots. Now I have one of my own I am beginning to understand why people have them for so many years (our neighbour has had his plot for 52 years).
Well the above are just a small selection of work that's cluttering up the house, there are more at the studio, and I really want to make a commitment to carry on painting and make it my income source. I want to be a creative not a normaloid, life is too short.
Talking of things being short, I am short no more! Despite swearing blind that I would be wearing flats to the wedding I've gone and purchased a pair of heels :-S
I jest not, I am having to practice wearing them around the house. I am not a natural heel wearer, in fact I look like a bloke trying to walk in his Mrs' heels as a joke, when walking downstairs I adopt a bandy legged frog pose, dignity is not a look being conveyed when I do this but I do give off a sense of stability which I think is half the battle won. Just over 8 weeks of practising to go!!
Huge gasp - wonderful shoes!!
ReplyDeleteNice to see your paintings, hope we get to see some more soon.... x